Getting My Hands Dirty

-by Mik

I own a lot of cooking utensils. Not cooking gadgets like blenders, mixers, egg poachers, and stuff like that, but basic kitchen implements. I have three ladles, a few tongs, a number of slotted and solid serving spoons, spatulas, scrapers, and scoops. Like many people who use their kitchens—or who want guests to think we use our kitchens—I keep my preferred utensils on display. Mine are stashed in a round metal bin between the coffee maker and the paper towels, all their poly-lineate heads erect and agog. In no small sense, I take pride and comfort in my kitchen utensils.

I have a large wooden spoon, so flat it can’t actually spoon anything, for sautéing. I have a trowel-nosed serving scoop with a voluptuous bowl I use for pasta sauces. I even have a pasta-thingy—a slotted spoon with gentle dentition along the edge—specifically for serving noodles. My utensils represent who I am as a cook and as an eater. These long-handled doodads reflect my most common methods of preparation and offer a window in the foods I most frequently consume. I know, somewhere to my left, as I work over the range, I can grab the tool I’ve chosen for the job I’m doing. My rapport with my whatnots goes beyond mise en place. Though there is some of that at work for sure: when I can’t find the right scraper for my cornbread batter I feel my whole process arrested. My utensils and I have a highly human relationship—one based on utilitarian goals, symbiotic methods, and both a rational and emotional connection. As control of fire and methods of cooking separate humans from beasts, so does an exquisite array of kitchen paraphernalia separate savage, primitive, and soulless eaters from suave and sage sous chefs. I offer the low-brow spork and the array of utensils at a sophisticated table as evidence of this slob versus sophisticate dynamic.

Though I’ve never attended a Pampered Chef party (and likely never will) when I find an order form lying on the break table at work, I flip through the catalogue with the same eager fancy I once reserved for the Sports Illustrated swimsuit issue. The connection between scantily clad models and kitchen utensils isn’t as far-fetched as you might think. Something about kitchen gadgetry appeals to my man-brain. Through tools I can consort with, coerce, even conquer my food. And if I have the right tool, I can do it better than the next guy.

So, imagine my surprise when, last week, I eschewed my spoons, scoops, scrapers, spatulas, stirrers, and just went for it with my bare hands. I was trying out a new recipe—lamb-stuffed eggplant—and somehow needed to get about a pound of ground lamb, browned with sautéed onions, spices, and nuts; onto baked eggplant halves. The procedure seemed straight-forward enough. I reached for a spoon, dug into the lamb and attempted to top the aubergines. I failed. The fattiness of the lamb, the instability of the eggplant, and the weight of the spoon, all conspired against me. I ended up with lamb in the baking dish, on the countertop, on the floor, everywhere but nestled where it should be: on the eggplant. A second, more cautious attempt yielded no better results. The photos in the cookbook showed beautiful and savory mounds of lamb well within the margins of purple skin, a beautiful off white flesh border accenting the darker colors of the dish. My casserole dish looked like the bottom of lemur cage. My stovetop and kitchen linoleum not much better. Frustrated with the inefficacy of my trusted spoon, I remembered my Anthony Bourdain and just grabbed a wad of meat with my bare hand and piled it on the Solanaceae. Well, okay. It wasn’t that easy. Before I stuck my mitt into that pan of cooked meat I had a brief but paradigm-quaking identity crisis.

We don’t touch food with our hands. I’m not sure where picked up this prohibition. It makes no logical sense. I eat most of my food by hand—sandwiches, burgers, pizza, burritos, fruit, scones; on any given day I’m sure I pack more food into may face by hand than via all other utensils combined. I also have no trouble handling raw food. I worked as a meat cutter and fish gutter, after all. I don’t get squicked out by blood or viscera. I’m not one of those people who cringes at the insides of a pumpkin when making a jack o’lantern. But for some reason some part of my moral and ethical self balked at reaching a bare hand into a pan of sautéed meat and veg. This “self” had not communed with my rational and logical self, who just fifteen minutes ago had its bare hands all over the ground lamb and onions in their raw—and arguably more dangerous—states.

There was something about putting my hands “in” the food, prepared food, that felt vulgar, lewd, dishonest, almost like sneaking a peak down the just-a-bit-too-open collar of a female co-worker or lingering too long over the Cosmo cover at the grocery store checkout. Touching that lamb was something I learned I should be ashamed of. Deciding to handle it required me to confront the arbitrary Puritanism of my upbringing. Fortunately, my rational brain won out over my religious indoctrination.

The decision was the right one, not just on a utilitarian level: it was much easier to get the meat into place with my hands than with a spoon and I didn’t spill a bit, but on a moral and ethical level as well. Cooking is a sensual experience and getting over the ickiness I felt at touching the food I was preparing to put in my body, in others’ bodies, helped me appreciate, Romanticize, and even engage with my food on an intimate level. In both a figurative and literal way, touching food with my hands was a carnal experience.

Last weekend, foodie godfather Michael Pollan sat down with Lynne Rossetto Kasper on The Splendid Table to promote his new book, Cooked. He argued “Western culture…devalue[s] the physical senses and elevate[s] the eye and the…. But the senses of taste, smell and touch have been considered in the whole tradition of Western philosophy and literature to be lower…. Cooking traffick[s] in those lower senses. It [is] stuff you [can] taste and smell…. We look down on those activities that both animals and we like to do; eating is one and sex is another. So puritanism ha[s] trouble with both those things because they [are] base and physical.” Both Kasper and Pollan agree these base and physical things: sex and eating, are fun. They’re right.

Food is not only sexy, it’s sex. In order to be a good lover, you can’t let yourself be put off by intimacy; you have to be willing to hands dirty. The same is true for cooks. If you can’t touch it, you shouldn’t try it. If you’re not willing to stick your fingers in the food, why expect people to be willing to stick your food in their faces?

Topping those eggplants with warm lamb and onions is an emotional first time for me—a big deal. I’m not willing to toss out all those nifty gadgets and tools, not yet anyway, but I look forward to my next chance to get my hands dirty.

Why is There Chicken Stock in my Freezer?

by Mik

      
stock pot  Two nights ago, after making poached chicken and frekeh, a recipe from Jerusalem: A Cookbook by Yotam Ottolenghi and Sami Tamimi—no, I’m not finished raving about this book yet—I made chicken stock. I don’t think I’m giving away any great secrets when I reveal two of the principle components of Ottolenghi and Timimi’s recipe are: 1) whole chicken and 2) a large pot of water. At the time, after carving most of the meat off the chicken and cleaning up the rest of the cookware, tossing the carcass back into the pot and simmering it over night felt natural. After all, I’d planned for pumpkin soup on Friday and will need some chicken stock as the base. The following morning, the aroma of concentrated chicken, onion, carrots, and cinnamon drew me downstairs. I ladled the stock into containers, tucked some into the freezer, and kept some back in the fridge. Then I headed out about my day. Continue reading

Chang Brings Chinese Home: Thoughts On The Momofuku Cookbook

by Shellhaas

Not the brightest feather in David Chang’s well-plumed hat, perhaps, but the fried chicken served at Noodle Bar is famous. The man knows his chicken because he knows “low culture.” He’s not afraid to get down and dirty with street food. In a vein similar to Jason Sheehan, Chang ennobles the cuisine of the every day, of the working class, of the grandma’s-in-the-kitchen-better-look-out-or-get-out eating we all love. Unfortunately, one of the consequences of the culture of foodie-ism is a rejection of the delicious, authentic, and familiar. Foodies eat fried chicken, corn dogs, and fries with the same chagrin “ex” smokers sneak a cig behind the dumpster. Sure, we’ll eat a hotdog in public, if we can work some foi gras or artisan brie into it, but foodies tend to venture away from the cuisine of the every day. Part of loving what food can be must arise from embracing what food has been. Chang recognizes this, even celebrates it, and writes about comfort food recipes with the same self-deprecating humor and humility with which he serves it.

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Newness

Newness

I plan my dinner menu once a month.  It’s a fairly predictable process. My schedule and Amanda’s schedule compel certain unavoidable truths on our evening repasts. For example, Wednesday nights we have little time to prep, cook, eat, and clean up so mid-week dinners tend to come from boxes, bags, or jars. In order spice things up on Wednesday, I occasionally dump a jar of canned clams into a jar of red sauce: wild times. I also try to plan meals that will make enough leftovers to supply lunches throughout the week: enough we don’t have to buy lunches but not so much we throw things out. (Inevitably a little bit of chili and jambalaya gets thrown out.) In fact, like most of you, my monthly menu scheme contains little variety and few surprises. I’m not so rigid as to assign particular foods to specific days of the week, but over the course of a year the patterns of my dinners are about as predictable as precipitation in the Seattle area.

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Super Wing Bowl

wing thumb nailby Mik

I have never been much of a fan of wings. The existence of “restaurants” like Buffalo Wild Wings and the ubiquitous wing option at almost every fast food joint not so much shocks as appals me. I do like chicken, as much as anyone can like chicken, but at the end of the day a wing is, well, just chicken. And a small and rather useless part of the chicken at that. Cooking and eating wings has always struck me as a great deal of work without any real payoff.

I’ve also never been a fan of Super Bowl wordplay: the Bud Bowl, the Puppy Bowl, and all the other Bowl-related half-witticisms we face this time of year. I am apparently one of the few people I know who does not watch the Super Bowl just for the commercials. Continue reading

Momofuku Milk Bar Reviewed

Momofuku Milk Bar

Milk Bar Grapefruit Pie Christina Tosi’s original job description had her performing a number of tasks at Momofuku: answering phones, running the cash register, writing a Hazard Analysis and Critical Control Point Plan–or as David Chang calls it in the misogynistic vernacular of the restaurant business: “tit shit.” However Christina provided Chang’s restaurant and bakery with more than another “oven rack.” He hired one of the most influential patisserie virtuosos of the new century. Over the course of her book, Tosi narrates the opening of Milk Bar and the development of her skills and recipes and, as she experiments, she encourages her readers to play along.

Last November I picked up this book in a store and read a chapter. I walked straight to a register and bought it as a gift for my wife. The recipes are as smart and creative as she is so her review is far more appropriate than any I could write. Continue reading

Old and Good vs. Just Plain Old: Two New York Times Cookbooks

By Liana Krissoff

Books 1.stacked upFoodpocalypse was kind enough to lend me a treasured old copy of The New York Times Heritage Cookbook, by Jean Hewitt, published in 1972, and to offer me a space here in which to jot down my impressions of it. I thought it would be interesting to take a look at this book in a broader context by comparing it to the most recent almost-two-inch-thicker from the New York Times Company, Amanda Hesser’s Essential New York Times Cookbook: Classic Recipes for a New Century, which was published to much fanfare in 2010. While Heritage presents recipes from different regional American traditions as a sort of snapshot of its time (what recipes folks in the northern Plains or the Southwest were using in the ’70s), Essential is organized by type of food, and within those categories the recipes are arranged chronologically, so you’ll see how Americans’—well, Times readers’—ideas of the cocktail or the salad, say, changed over the last 150 years. Continue reading

The Shame of Eating Animals: A Discussion of the Book by Jonathan Safran Foer

by Foodpocalypse

It’s no secret that I eat meat. This blog has devoted at least some small attention to the ethical and moral challenges of eating an omnivorous diet in modern America. “Meat is Cultural” and “The Cruelest of Foods” both acknowledge and embrace the deliciousness of animal protein, the inherent cultural relativism of “meat”, and consider–at least by implied comparison–a vegetarian or vegan diet. I plan on exploring the issue of meat, meat-eating, and abstaining from animal protein, in future essays. My complex relationship with meat (along with with Foer’s excellent novel Everything is Illuminated and short stories “A Primer for the Punctuation of Heart Disease” and “Here We Aren’t, So Quickly”) drew me to Foer’s exploration of the omnivorous diet versus the herbivorous. I went into Eating Animals with a full-on writer’s crush on Foer and an admiration for his stated ambitions stated early in the book of not writing a “straightforward case for vegetarianism” (190-92* Kindle edition notes) but exploring the larger cultural questions of eating meat. In fact, Foer explicitly states “[a] straightforward case for vegetarianism is worth writing, but it’s not what I’ve written here” (190-92), and admirable demonstration of ethos–if it were true. Continue reading

Cleaning Out the Notebook (2012 Video Edition)

Years ago Bill Maher had a segment on his show where he aired jokes and comments that weren’t completely formed comedy bits. I believe the segment was called Cleaning Out the Notebook. Since Mik and I decided to start our website I’ve been bookmarking websites, videos and essays. As we near the end of our first year as food bloggers this is perhaps the best time to share. Enjoy.

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Seattle Coffee Showdown

by shellhaas and mik

While history books will complicate the matter, and other cities and other coffee shops deserve a portion of the credit, the coffee America drinks today arises from the imagination of a couple of Seattleites with a penchant for Herman Melville. Say what you will about how or why Starbuck’s has ruined coffee, the cafe culture, or the middle class in general, without their influence (for better or for worse) few of us would know the difference between a  cup of hot drip Folgers and a latte. Not that Starbucks is all, or even the best, The Emerald City has to offer. Shellhaas lived in Seattle during the late 90s, when Starbucks went from brand to behemoth, and he recently returned to his old stomping grounds to see what other beaneries are up to.

Pouring for the cupping

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